Archive

Archive for May, 2008

Thanks to everyone !

May 28th, 2008

It was a great and magical week-end of Cuban Salsa/Timba and dance for us in Toronto ! as well as at the other concerts in Montreal and Quebec city. We will soon be compiling all of the you tube videos /pictures reviews and clips of Saturday May the 24th night at the PUPY Y LOS QUE SON SON concert in Toronto as well as the week-end Cuban dance festival. I am not a professional journalist and it may not be appropriate for me to review my own show but here are some comments and ramblings anyway . I will also keep rereading this and add to it as I may forget to thank people ! Feel free to e mail me to say .. hey what about me…
I want to thank the team who help Juan Carlos and I this was an incredible gift to us : co producer and friend Michelle Triebsch of La Rumba event , my friend Ingrid Jurek and Antonin who spent hours making exquisite white flower arrangements and candles to beautify the Opera house Katherine who hosts Acrobat on Friday nights ; my brother Cedric Giraud ; My friend Heather Jessome and Miranda Harpell from world vision : Paulina Berru ; Catherine Irvine Davies ; Shauneen ; Joao and Ana Maria and Aline for great promoting skills , Athena owner of the Opera house , Billy Bryans and Robin Easton ; Noy ; Vladimir Aranda dance teacher and promoter for Six degrees with the beautiful Jensy ; to Orlando who helped us with security ; Jacinto Salcedo who designed the beautiful flyer and poster ; Paz Humana for helping us with so much ! John who photographed the show for me and Ingrid again who videotaped! A special thanks to DJ MELAO who travelled from Miami to be at all three events. He will be also putting together video and sound clips from all the three concerts on www.timba.com . His contribution to the world of Timba is invaluable .
A big thanks to the band PUPY Y LOS QUE SON SON . They were on and off seven different buses for 5 days travelled a total of
Thanks to the dance performers : Felix “Pupy” Insua ; six dancers from Mambo dream team ( Pawel Roland Raphael Daylin and two other beautiful girls whose names I do not know) choreographed by Dora thanks for your performance and support . A special thanks to my friend Albena de Assis from Afrolatino dance company who organized the Cuban dance festival week-end and performed on the night of the event with Teisha and Isaac; dancers from Michigan’s Energetic soul Duane Wrenn and Maribel Vasquez. They all basically put a choreography together with master dancer from NYC Felix “Pupy” Insua in about 15mn at a tech rehearsal and Duane and Albena had never danced together . Pupy (Cesar de la Mercedes Pedroso) was actually a little reticent about dancers performing on the stage along with the band playing so he asked for them to be at the ready on the side of the stage and wait until the last two numbers . I have to say that when I drove him to the airport to get to his Quebec city gig ; he said that he was so impressed with the dancing in Toronto and with how it went that he was considering including some dance in future shows for a couple of songs. He said Felix “Pupy” Insua was a genius in his opinion and complimented each dancer individually. He actually thought that dancer Pupy had brought them from New York.
We were very luck to have many people who travelled from the US to come and see the concert ; In fact from our count 30% of the audience travelled from the States especially Cubans from Rochester ; Buffalo ;Albany ; NYC and Miami . Eminent musicians were in the room Ernesto Fernandez came from Miami (Flutist) and performed with the band. Lisandro Arias pianist who was featured in the DAME LA MANO documentary tried to make it and was held up at the border. he made it to the Quebec city concert and played with the band there . Some musicians from Toronto came to show their support ; great percussionist and musical director Luis Obregoso came with a friend as did pianist David Virelles and drummer Frank Duran . Some came after their gigs at the end of the night such as Alberto Alberto , Jalidan .
The band played their first set after dance performances and we had to stop them so that intermission could be held. When they returned to the stage at 12.30 , they played non stop until almost 2 am. I think in total the band played close to 3 hours. This reflects incredible generosity on the part of the artist . The level of talent on this night and the happiness of everyone around us makes this worth it for us . We received no financial support or sponsorship for this concert or for the Cuban dance festival . This was a risk that many of us just decided to take because we love this music. Again we do have some media which supports us and were there on the night of the event : The Live music report ( Roger and Joyce) : Salsato ( Mike) ; Canasanta Gelico and Marie; Maria Elena Escobar from CKLN Ventana al Barrio ; CIRV Marcelo Addax and our MC Abdiel Hernandez ; Torontohispano.com Kelly and Rene.
I met a woman on the street outside of the Opera house on one of my many trips back to the parked car who said : ” I have lived on Queen street east all my life ; I have never seen so many beautiful women with short skirts …what is going on there tonight ? ” I said one of the best bands from Havana Cuba : PUPY Y LOS QUE SON SON ! Ache !

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Pupy Arrives

May 23rd, 2008

Pupy arrived last night in Montreal !!!

More info later.

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Musical education from salsacubana.no

May 16th, 2008

After discussion with one of my favorite Djs tonight that Pupy is Timba but Manolito is salsa cubana : I feel it may be time to outline what are now standard definitions . Also for newcomers here is some teminology that may be helpful to understand what will be happening on Saturday May 24th – We are very passionate about our Cuban style salsa and Timba this is why we bring bands from Cuba. This is a love that we always want to share with all around us no matter what style they like to dance . Also when inviting a Cuban band to play , it is always a great party no matter what your exact and precise musical tastes !

Timba: Cuban contemporary popular music with bass patterns and rhythms
that have the influence of hip-hop as well as rumba, with elements from
funk, jazz and rap. Marked by an explosive rhythm that’s somewhat
aggressive. Juan Formell, leader of the group Los Van Van, is said to
have been the first to use the term. He says that Timba lies halfway
between the traditional Cuban son and salsa. Performers among many
others are Los Van Van, NG la Banda and Charanga Habanera. Pupy plays Cuban style Salsa which is TIMBA.

Casino:   the Cuban salsa dance style. We often do it as a RUEDA  ( in a wheel or circle with multiple partners but the style is CASINO )

Rueda de casino
: (normally just called Rueda). Salsa (or Casino) with a
group of people in a circle all doing the same moves in response to a
caller’s commands.

Conjunto: Cuban orchestra with vocals, trumpets, piano, bass, percussion.

Popular drink!
Mojito: Cuban drink, a must in the breaks when playing/dancing salsa.
    •    Recipe: Mix the juice of 1/2 a lime (fresh), 1 tablespoon sugar or simple syrup and mint leaves. Add ice cubes and 2 ounces / 4 cl white rum (preferably Havana Club). Fill with soda water.

Montuno
: Section of an Afro-Cuban dance tune using call and response between improvisations by the lead singer and repeated phrases by a vocal chorus.

Ahí-namá/Ahí Na’ Má – Spanish, short for "ahi nada mas". Literally means ‘only there’, ‘just there’ or ‘that and no more’, but used more as ‘that’s it!’ or ‘right on!’. Called out by musicians in salsa bands as a sign of enthusiasm, a way of highlighting a particular musical expression that feels good, etc. It was made popular by La Lupe, a Cuban singer of the 1970s as a call to the musicians and the audience to ‘go to it.’ "Ahí Na’ Má" is also a tune by Ismael Rivera con Cortijo y su Combo from the early sixties.


Songo
: A contemporary, eclectic rhythm which blends several styles, including rumba, son, conga and other Cuban secular as well as sacred styles, with elements of North American jazz and funk. Invented by Juan Luis Formell, the leader of Los Van Van, and Changuito, the percussionist of the same orchestra.

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PUPY Y LOS QUE SON SON : Our commercial!

May 13th, 2008

Thanks you to Paolo Marques from CIRV radio for always putting together a great commercial for our concerts ; along with the great voice of Radio host Abdiel Hernandez who also will be our MC for the night. A special thanks also to Marcelo Addax also a radio host and photographer for his great support and inviting all the beauties of Toronto to the concert !

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We just listened to Pupy’s new album

May 11th, 2008

We just received a demo of Pupy’s new album via a friend who came from Havana. I am not an expert reviewer but it is excellent >many great songs for the Timberos – Salseros- Soneros and an instrumental piano piece whcih would satisfy many jazz and classical fans There is of course the already released ” La Italiana” ; La Machucadera ; There is song recorded with Omara Portuondo- It sounds like the title is Vecina prestame el Cuvo ( neighbour lend me the bucket !) – Of note to Cuban music fans Omara Portuondo will be at ROY THOMSON HALL June 28 2008 for an exclusive concert . For all information about the concert website : Roy Thomson Hall

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Felix “Pupy” Insua – invited dancer to perform and teach

May 10th, 2008

There is a second PUPY coming to Toronto to perform and teach the week-end of May 24th in Toronto. Felix ” Pupy Insua originally from Cuba and one of the founding members of Yoruba Andabo now lives and teaches in New York . He was here last year participating in Luminato events and has had sold out workshops every time.Sharing some great photos by Roger Humbert of the livemusicreportFelixinsua_may07b
Felixinsua_may07c
Felixinsua_may07a

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Learn to Dance Cuban Style in Toronto

May 2nd, 2008

Why dance salsa in the Cuban style?   

Why not "regular salsa"? 

One look should show you… more flavour… more natural… more fun!

     Couples dancing Casino style

     Cuban dance lesson 

     TV Rueda competition

     Rueda de Casino in Cuba

You might spot differences… "Don't they even know how to dip and spin??"  

But… on the other hand…  there's this sensuousness, playfulness, spontaneity. 

Understanding the differences is more than listing moves… you need to understand Cuba a bit.

CASINO STYLE:

Casino dance began In the 60's and 70's while a new exciting music was evolving in Cuba… later in the 70's, it began to be called "salsa" by New York marketers.  

Within a few years, young dancers at social clubs called "Casinos" worked up the first versions of "Casino" dancing, perfect for the new music.

They used all the ideas at hand: mambo, cha-cha-cha, rumba, son dances of Cuba, as well as a touch of afro dancing.  And yes, some of those turns and the trademark hand-push come from U.S. rock-and-rollers visiting Cuba.

But it was a simpler Casino in those days. 

Each generation needs to have something of their own. They respond in new ways to the new music that inspires them.

THE NEW CUBAN SALSA MUSIC: TIMBA

Since the mid-late 1990's, Casino in Cuba is danced with a new passion, a new edge, a new liveliness.  All because of a new kind of music … "Timba"

The country was desperate in the 1990's… with the loss of support of the USSR.  Music and dance became more important than ever… "luxuries" that could be enjoyed without wealth.  And a way to forget the problems.

Fabulous musicians were graduating from the state music schools by the hundreds… when bread was scarce, there was still good free education.  They began watching each other like hawks to see who would come up with a new sound first. 

Jose Luis Cortez formed his group NG La Banda and showed some ideas. The dancers went nuts, the rest is history …

He combined Cuban salsa and Cuban rumba, harmonic progression from the Russian classical composers, with Cuban son and mambo, American jazz and funk, .. into a new craze… A sophisticated, complex, varied, flexible format.  A music that very likely, no other public in the world could have understood and embraced the way Cuba did.  

HOW TIMBA REINVENTED CASINO:

Timba was born for one purpose… and one purpose only: to inspire and excite dancers.

Everything else is secondary: the singers, the musicians, the chorus, must all serve this need.  

The new bands were valued not only for their music, but how inventive they were at dancing.  In effect, the audiences and bands showed each other how to dance to it. 

The bands looked into the crowd and saw people from poor areas, many of them black, doing rumba variations to the music.  They adapted them and fed them back to the audience and they spread quickly to all the fans.  Couples started to let go of each other, break apart, come together, break apart… doing "despelote" and other solo moves.  To match this energy, the old casino moves were danced with new variations and new intensity.

In the new century, the influence of North America comes full circle again.  Hip Hop, never a major style, morphs to Reggaeton in Latin America where it becomes the most popular music.  In Cuba, it is even more integrated with mainstream.  In the Cuban style "Cubatón" lyrics talk about young people's realities instead of the asocial "I'll be dead before I'm 22" themes of Hip-Hop.  And of course, the timba bands include the reggaeton section now… and the dancers respond.

Each timba song is broken into sections, that build excitement level after level, and challenge the dancer to respond. Dancers tune in to this… the best can always surprise and delight their partner as they work with the changes. 

Today's Casino dancing and Timba music are joined at the hip.

So when you pick a place to learn Cuban dance… make sure you get the full package. 

Trying to dance modern, energetic Casino, to bland salsa music… that's like buying the car without the engine.  If Timba seems demanding after a bland diet of night-club salsa… don't worry, it passes!  Learn to love the music by dancing to it… just the way they do in Cuba. 

MORE ABOUT RUEDA de CASINO:

The group dance, Rueda de Casino, is of course synchronized to the calls of a leader.  It might even be thoroughly rehearsed, if there's a competition. 

Casino dancing was never "taught" by teachers in Cuba.  It was developed by the kids at "casino" social clubs, and it spread directly between young people everywhere in the country. Since Casino dancing is propagated among dancers and not via dance schools, you see a great deal more individuality and spontaneity in dance in Cuba. 

Probably the biggest factor in Casino's rapid spread was the boarding schools. 

Young students from the city are all sent to country boarding schools (and vice-versa)… as educational policy, to broaden their social opinions. 

In the evenings, a favorite activity was of course self-organized dancing.  At many schools, students danced in ruedas every night of the week.  They invented new steps, difficult steps, funny steps, with good imaginations; and visitors between schools spread the best ideas.  It wasn't TAUGHT BY the schools; but it was tolerated ;-) … it was better than a lot of other things the kids could have been doing!

Typically it was, "el que pierde sale": if you screw up a move, you are out of the circle.  That encourages better dancing, and careful watching … steps are sometimes a little different in different schools.  But also, it allows rotation of the dancers.

After getting back from boarding school, it became of course a favorite party activity, dancing casino de rueda, just like it was done back at school.


SO… WHERE DO THEY TEACH "THE REAL THING"… IN TORONTO?


Afrolatinologo150The biggest Cuban-style school in Toronto area is AfroLatino Dance Company. Why is it so popular? Could have something to do with the relaxed no-pressure style of teaching.

AfroLatino also has an open practice for anyone interested in Cuban style dance, Saturday evenings: see the website.


Juan Carlos Bulnes was one of those kids dancing and honing new casino style steps, to Orqesta Reve, Los Van Van, and others on the Para Bailar TV show on Cuban TV in the late 70's and early 80's. 

Now he's here in Toronto, and is available for private lessons in Cuban casino, orisha, and rumba dancing.  He teaches group lessons in assocation with some schools, for example, sometimes with Albena de Assis of Afro-Latino Dance Co (see above).

You can contact Juan Carlos at 647 818 6602 or 416 836 2600.


IreomoSarita Leyva is a professionally trained dancer from Holguin, Cuba.  She runs the Iré Omó dance school.  Currently onBabaluuCubanNights-web Sunday evenings, she teaches a Rueda de Casino lesson, while Billy Bryans spins the Cuban-approved dance music at BabalúuShe also teaches cuban styles to groups on occasion, notably Afro-Cuban rumba and orisha on Wednesday evenings.  Sarita is also on the teaching staff at York University teaching cuba n dance and music.  See the Iré Omó site for contact information.

 


Vlad (no web) at Cafe Lurin, 1032 St Clair W 2nd floor, at Oakwood, Toronto. Lessons 5 PM Sundays, then timba music til late.  Call 416 666-2441.


The Toronto Casino Rueda Practice is held most Saturdays from Noon to 3 PM near downtown Toronto. It's a self-organized dancing session dedicated to Cuban music and Cuban Casino-style dancing, but also conversation and sharing tips. The session is intended for dancers who know Casino, and want to practice and transmit the feeling better… not really a school for beginners. It's independent of any dance school… and it's free of charge… so long as the venue is free ;-) . For information contact

joekim27@yahoo.com. And if you are on Facebook, look for "Toronto Casino Rueda Practice".


 

OrlandoCardoso

Whitby Ontario, east of Toronto: MONDAY group lessons in Cuban style Casino dancing… with el pianista rumbero, Orlando Cardoso, phone Claudia at LA Hair (905) 556-9967.

 


 AnaAndOscar1And the first person to show many of us we didn't have to dance "Toronto-style salsa" just because we live here… Ana Machado still gives lessons.  You can meet her teaching the group lesson at Lula Lounge most Saturday nights.  You can also contact her at her cell number 416-205-9986.

 

 

 


And now a new opportunity to study Afrocuban dance, the dances of the Orishas, Congo and Rumba with Consuelo Herrera.

Consuelo Herrera is a professional dancer from Havana ,Cuba, who began her studies in La casa de Cultura, and went on to work with the folkloric dance troupe "Liberacion 75", perform in the grand cabarets "La Cecilia" in Miramar, and eventually join Grupo Raices Profundas as a lead dancer and soloist. She has worked with some of the best choreographers and musicians in Cuba. She has appeared in several documentaries about dance in Cuba and has performed in Mexico, Nicaragua, Spain, the United States, Japan and Canada. Consuelo originally came to Canada to perform with Jane Bunnett in a North American tour. She has gone on to perform with Ballet Creole and Joaquin Hidalgo's Rumberos. Consuelo has been teaching Afro-Cuban Dance in Toronto in with Ballet Creole and other local companies since 1997.

New session starting this Saturday January 10th!
Location: Capoeira Angola Centre Ori
208 Christie St., #1 (Corner of Garnet , between Dupont and Bloor, north of Christie subway station).
Time: 1-3pm


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